Captain's Log: Stardate 79052

The problem

Anukari has long had a modulation system, with LFOs, host automation controllers, MIDI, etc. But adding modulation to a preset has always been a kind of labor-intensive process. And one big gaping hole in the UX was the lack of a way to bind a knob inside Anukari itself to allow modulation to be controlled via the mouse.

The lack of mouse control was a hassle, but the problems were a bit deeper than that. Because of this issue, interfacing with the DAW was always not quite the way users expected. For example, in FL Studio you can choose an automation via the learn feature by "wiggling" a knob inside a VST plugin. FL Studio watches and sees which knob was wiggled and binds it. But of course with no mouse-controlled knobs inside Anukari, this was not possible.

Furthermore, while it was possible to map host parameters to automations inside Anukari, they could only be controlled via the DAW, which is really inconvenient, and often is a really weird workflow. Users expect to be able to hit "record" in the DAW and then go play the VST, knobs and all, and have everything recorded.

Macros

The solution was to add some knobs inside Anukari that can be mapped to control the modulation system. Those are shown here in the lower right-hand corner:

(The icons and graphics are still provisional while I wait for my designer to improve them.)

There are eight knobs in total (in the screenshot only four are showing, and the other 4 are collapsed). Each knob can be renamed, and corresponds to a mapping that will automatically appear in the DAW. And each knob is connected to any number of 3D Macro objects, which it will control.

This is already really handy, but the killer feature is the little grabby-hand button icon next to each macro knob. When the user drags this, parameters in the right-hand editor panel that can be modulated will automatically be highlighted, and when the user drops onto one of them, a 3D Macro object will be created which is automatically linked to the given parameter on all selected entities. Here's an example:

This is a pretty transformative change. It is dramatically easier to create automations inside Anukari, play with them, and edit them. And then they can be performed with the knob movements recorded in the DAW.

Side benefits

The new macro system addressed a bunch of feedback I repeatedly got from users, and solved a bunch of problems. But in addition to that, there were a number of extra advantages to the new system that came very cheaply.

Having the drag-and-drop system for modulation naturally made it easy to do the same thing for other modulator types. So now, if a user drags in an LFO from the entity palette on the bottom of the screen, they can drag it straight to a highlighted parameter to create an LFO connected to that parameter on the selected entities. This can be done with any modulator and is hugely convenient.

Another big benefit is that now all the built-in automations for all the factory presets are discoverable. Previously with no knobs in the main UI, there was no easy way to see what parameters had been configured for modulation as you cycled through presets. Now you can see them all, and trivially play with them via the mouse. Even better, in the standalone app the 8 macro knobs map to MIDI continuous control parameters 1-8, so on most MIDI controllers you can just turn knobs and things will happen, with visual feedback.

Finally this opens the door for even more interesting drag-and-drop use cases. The first one I have in mind is for creating exciter objects, like Mallets. The idea is that the user will be able to select a bunch of Bodies (masses), and then drag the Mallet object from the palette onto the right-panel (which will be highlighted) and it will automatically create the Mallet and connect it to all the selected Bodies. This will be much more convenient than the workflow today.

Anukari Builder (preset API)

In the Anukari Discord server, the user 312ears is notable for providing extremely helpful feedback about Anukari, obviously borne out of using it in depth. When I first released the Beta, they were one of the people who suggested that it would be cool if it were possible to create presets programmatically, for example via a Python API.

I really wanted to help with this, but for the foreseeable future my time has to be focused on making the plugin itself work better. So I offered to release the Google Protocol Buffer definitions for the preset file format and provide a bit of support on using them, but could not commit to any kind of nice APIs.

Anyway, 312ears took the Protocol Buffer definitions and built an entire Python API for building Anukari presets. Their API can be found here: github.com/312ears/anukaribuilder.

This is an absolutely incredible contribution to the project and community. It allows users who can write Python to create presets that would otherwise be far too tedious to make. On some hardware Anukari supports up to 1,000 physics objects, and arranging them in a complex geometric pattern is difficult with the UI. But with Python all kinds of things become possible. For example, 312ears has shown demos in the Discord server of presets that can shift between two shapes, say a sphere and a pyramid, by turning a MIDI knob. Here's a quick example:

Captain's Log: Stardate 79000.1

Whoa, it's been way too long since I updated the devlog. Here goes!

2025 MIDI Innovation Awards

Really quickly: Anukari is an entry in the 2025 MIDI Innovation Awards, and I would really appreciate your vote. You can vote on this page by entering your email and then navigating to the Software Prototypes/Non-Commercial Products category and scrolling way down to find Anukari. You have to pick 3 products to vote in that category. (I wish I could link to the vote page directly, but alas, it's not built that way.)

The prize for winning would be a shared booth for Anukari at the NAMM trade show, which would be a big deal for getting the word out.

Multichannel I/O Support

A while back, Joe Williams from CoSTAR LiveLab reached out to me asking if Anukari had multichannel output support. Evidently the UK government is investing in the arts, which as an American is a pretty (literally) foreign concept. One of the labs working on promoting live performance is LiveLab, and they have a big 28-channel Ambisonic dome. Joe saw Anukari and thought it would be cool to create an instrument with 28 mics outputting to those 28 speaker channels.

I'd received several requests for multichannel I/O, but hadn't yet prioritized the work. The LiveLab use case is really cool, though, and Anukari will be featured in a public exhibit later this month, so I decided to prioritize the multichannel work.

Anukari now supports 50x50 input/output channels. In the standalone app, this is really simple, you just enable however many channels your interface supports and then inside Anukari you assign each audio input exciter or mic to the channels you want.

It also works for the plugin, but how you utilize multichannel I/O is very DAW-dependent. Testing the new feature was kind of a pain in the butt, because I have about 15 DAWs for testing, and multichannel is a bit of an advanced feature, so I ended up watching a zillion tutorial videos. Every DAW approaches it a bit differently, and the UX is generally somewhat buried since it's a nice feature. But it works everywhere, and it is extremely cool to be able to map a bunch of mics to their own DAW tracks and give them independent effects chains and so on.

Behind the scenes, it was really important to me that the multichannel support did not impact performance, especially when it was not in use. I'm very happy to say I achieved this goal. When you're not using multichannel I/O, there is zero performance impact. And even in 50x50 mode the impact is very low. Anukari is well-suited for multichannel I/O since each mic is tapping into the same physics simulation at different points/angles, so none of the physics computations have to be repeated/duplicated. Really the only overhead is copying additional buffers into and out of the GPU. On the Windows CUDA backend, that's a single DMA memcpy, which is very fast. And on the macOS Metal backend, it's unified memory, so no overhead at all. All that remains is the CPU-CPU copy into the DAW audio buffers, which is very, very fast.

I look forward to posting about the LiveLab exhibit once it happens.

ASIO Support

It's a pretty big oversight that the Windows version of the Anukari Beta launched without ASIO support. I'm not quite sure how I missed this important feature, but I've added it now.

I think I always assumed it was there, but when using JUCE the ASIO support is not enabled by default because you need to get a countersigned agreement from Steinberg to use their headers to integrate with ASIO. I already had a signed agreement with them for the VST3 support, but ASIO is a completely separate legal agreement and so I went through the steps to get that as well.

ASIO support makes the standalone app perform much better (in terms of latency) for people with ASIO compatible sound interfaces.

AMD Radeon Crashes

Officially speaking, Anukari explicitly does not support AMD Radeon hardware. This is a bit of a long story, which at some point I will write about in more detail. But the short version is that the Radeon drivers are incredibly inconsistent across the Radeon hardware lineup, which makes it extremely difficult to offer full support. For some Radeon users, Anukari works perfectly, and for others it is unstable, glitchy, or crashes, in many different unique ways.

The story I'll write about for this devlog entry, though, is the extremely frustrating case that I solved for users that have both an AMD Radeon and an NVIDIA graphics card in the same machine. This is actually a common situation, because many (most? all?) AMD Ryzen CPUs include integrated Radeon graphics on the CPU die. So for example there are a lot of laptops that come with an NVIDIA graphics card, but also have a sort of "vestigial" Radeon in the CPU that is normally not used for anything.

In the past, Anukari just worked for users with this configuration, since when it detects multiple possible GPUs to use for the simulation, it would automatically select the CUDA one as the default. However in the 0.9.6 release, Anukari began crashing instantly at startup for these users.

This was pretty confusing, because I have comprehensive fuzz and golden tests that exercise all the physics backends (CUDA, OpenCL, Metal). These tests abuse the simulation to an extreme extent, and I run them under various debugging/lint tools to make sure that there are no GPU memory errors, etc. And across my NVIDIA, macOS, and Intel Iris chips, they all work perfectly.

Luckily I had a user who was extremely generous with their time to help me debug the issue. I sent them instrumented Anukari binaries, and eventually was able to pinpoint that it was crashing inside the clBuildProgram() call.

Now, you might think that what I mean is that clBuildProgram() was returning an error code, and I was somehow not handling it. No, Anukari is extremely robust about error checking. I mean it was crashing inside the kernel and clBuildProgram() was not returning at all due to the process aborting. This is with perfectly valid arguments to the function. So, obviously, this is a horrible bug in the AMD drivers. Even if the textual content of the kernel has e.g. a syntax error, clearly clBuildProgram() should return an error code rather than crash.

The really fun part is that I've only seen this crash on the hardware identifying as gfx90c. On other Radeons, this does not happen (though some of them fail in other ways). This is what I mean about the AMD drivers being extremely inconsistent.

Now, as to why this crash happened at startup, it's because during device discovery Anukari was compiling the physics kernel, and any device where compilation failed would be assumed incompatible and omitted from the list of possible backends. I added this feature after encountering other broken OpenCL implementations like the Microsoft OpenCL™, OpenGL®, and Vulkan® Compatibility Pack which is an absolute disaster.

So the workaround for now is that Anukari no longer does a test compilation to detect bad backends. This resolves the issue, although if the user manually chooses the Radeon backend on gfx90c it will unrecoverably crash Anukari.

Longer-term, given the Radeon driver bugs, I doubt I'll ever be able to fully support gfx90c, but I ordered a cheap used laptop off eBay with that chip in it so that I can at least narrow down what OpenCL code is causing the driver to crash. I know that it's something the driver doesn't like about the OpenCL code because it did not always crash, and the only difference in the meantime has been some improvements to that code. Hopefully I can find a workaround to avoid the driver bug, but if not I might add a rule in Anukari to ignore all gfx90c chips.

(Side-note: actually the first used laptop with a gfx90c chip that I bought off eBay was bluescreening at boot, so I had to buy a second one. These inexpensive Radeon laptops are really bad.)

Not all hope is lost for Radeon support. I recently upgraded my main development machine, and the Ryzen CPU I bought has an on-die Radeon, and it works flawlessly with Anukari. So maybe what I will be able to do one day is create an allow-list for Radeon devices that work correctly without driver issues. Sigh. It is so much easier with NVIDIA and Apple.

Parameter Randomization

Unlike the features above, this one hasn't been released yet, but I recently completed work to allow parameters to be randomized.

For Anukari this turned out to be a bit of a design challenge, since the sliders that are used to edit parameters are a bit complex already. The tricky bit is that if the user has a bunch of entities selected, the slider edits them all. And if the parameter values for each entity vary, the slider turns into a "range editor" which can stretch/squeeze/slide the range of values.

So the randomize button needs to handle both the "every selected object has the same parameter value" and "the parameter varies" scenarios. For the first scenario with a singleton value, it's simple: pressing the button just picks a random value across the full range of the parameter and assigns it to all the objects.

But for the "range editor" scenario, what you really want is for the randomize button to pick different random values for each entity, within the range that you have chosen. There's one tricky issue here, which is that it is very normal for the user to want to mash the randomize button repeatedly until they get a result they like. This will result in the range of values shrinking each time (since it's very unlikely that the new random values will have the same range as before, and the range can only be smaller)!

So the slider needs to remember the original range when the user started mashing the randomize button, and to reuse that original range for each randomization. This allows button mashing without having the range shrink to nothing. It's important, though, that this remembered range is forgotten when the user adjusts the slider manually, so that they can choose a new range to randomize within.

Another kind of weird case is when the slider is currently in singleton mode, meaning that all the entities have the same parameter value, and the user wants to spread them out randomly over a range. This could be done by deselecting the group of entities, selecting just one of them, changing its value, then reselecting the whole group, which would put the slider into range mode. But that's awfully annoying.

I ended up adding a feature where you can now right click on a singleton slider, and it will automatically be split into a range slider. The lower/upper values for the range will be just slightly below/above the singleton value, and the values will be randomly distributed inside that range. So now you can just right click to split, adjust the range, and mash the randomize button.

Captain's Log: Stardate 78553.4

Stability

Since my last devlog update, one big thing I did was to just run the chaos monkey 24x7, fixing crashes it caused until it couldn't crash Anukari any longer. It found some highly interesting issues, including a divide-by-zero bug that has existed since probably about the 3rd week of development on Anukari, in the graphics code. In each case where it found a crash, I tried as much as possible to generalize my fixes to cover problems more broadly, and this strategy seems to have paid off as at the moment the chaos monkey hasn't crashed Anukari in about 48 hours of running.

AnukariEffect

In between solving new crashes from the chaos monkey, I continued to work on launch-blockers, one of which was finally creating a second version of the plugin that allows it to be used as an effects module in a signal chain (rather than as an instrument). This is a bit annoying, because the VST3 plugin actually is perfectly capable of being used in either context, since it dynamically determines how many audio inputs it has, etc. But most DAWs simply don't support plugins that can be used either way.

So now there is a second AnukariEffect plugin. This works great, and it's really nice to be able to just drop AnukariEffect into a track as an effect without having to do complicated sidechain stuff to use it that way. I made a couple of initial effect presets, and already it's producing some extremely cool sounds. I'm very excited about this.

A bunch of small work remains to make AnukariEffect nice to use. For example, the GUI needs to have some subtle changes, like adding a wet/dry slider, hiding controls that have to do with irrelevant MIDI inputs, etc. Also, because it doesn't receive MIDI input, AnukariEffect will only do singleton instruments and not voice-instanced instruments, so I need to put some thought into how to handle edge cases like what to do when the user loads a voice-instanced instrument in AnukariEffect. I think it will likely get converted to a singleton with a warning message to the user. But I need to experiment a bit to find what feels right.

CPack

The introduction of a second VST3 (and AU) plugin necessitated some changes to the installers. Also, separately I am working on getting an AAX plugin up and running. So I realized that now is the time to really get the installers working correctly, allowing the user to e.g. install only VST3 and not AAX, etc.

I had originally used CMake's CPack for generating the installers, using the INNOSETUP generator for Windows and the productbuild generator for MacOS. This seemed really convenient, because I didn't want to learn how to use Inno Setup / productbuild directly, and it looked like CPack could generate the installers without me having to get into the weeds.

In the end, I really wish I had never tried using CPack's generators for this. They are horrible. Basically the problem is that both Inno Setup and productbuild have fairly rich configuration languages, and CPack's generators expose perhaps 10% of the features of each one in a completely haphazard way. So it seems convenient, but then the second you need to configure something about the installer that the CPack authors did not expose as an option, you're completely hosed. Originally I tried to work around the CPack limitations with horrible hacks, such as a bash script that wrapped pkgbuild and took some special actions. But this was a complicated mess and didn't work well.

So for both Windows and MacOS, I decided to just bite the bullet and learn how to use Inno Setup and productbuild/pkgbuild directly. And as it turns out, in both cases, it is much simpler to just go straight to the nuts and bolts without the CPack generators. It resulted in less config code overall, with less indirection, no hacks, and I was able to configure the installers exactly how I wanted.

Frankly at this point I can't see any argument for why anyone would want to use CPack. It's substantially more complicated/obfuscated/indirect, limits you to an eclectic subset of each installer's features, and it truly was harder to learn how to configure CPack than to just figure out Inno Setup and productbuild/pkgbuild. The documentation for the installer tools is way better than CPack's documentation, and anyway, to use CPack you kind of have to understand the installer tools anyway.

So the end result of rewriting the Windows and MacOS installers without CPack is that they both work how I want now, and will be a lot easier to maintain as I continue to get closer to release, adding the AAX plugin and so on. I'm very happy that installers are now a "solved problem" -- one more box checked for the launch.